Academic Articles
2021: (in preparation): “Two Ivory Towers?” Intersections between Musicology and Performance in Tertiary Education in North America and the German-Speaking World (Zagreb University Conference Proceedings)
2021: (in print) “‘Blaustrupfwaren… in Gottes Haus?’ The international reception of sacred music composer Ernestine de Bauduin”, in Schriften Online, HfMT “Felix Mendelssohn Bartholdy” Leipzig.
2021: with Gower A. “Shifting identities of feminism to challenge classical music canon practices; a beginner’s guide to guerilla gender musicology.” in Under Construction. Performing Critical Identity, in State of the Arts. Reflecting Contemporary Culture Expression (ed. Laura Wagner), MDPI Books. https://www.mdpi.com/books/pdfview/edition/1060
2020: with Schebeck, S. “The Freestyle Orchestra: Questioning Norms in Classical Concert Performance through Ross Edwards’ Maninyas Violin Concerto”, Research Catalogue. https://www.researchcatalogue.net/view/995775/995776/0/0
2020: “Viennese Songs of Fashion: Ernestine de Bauduin and Hermann Riedel in 19th Century Vienna” in Populäre Lieder im langen 19. Jahrhundert; Jahrbuch des Zentrums für Populäre Kultur und Musik Albert-Ludwigs-Universität Freiburg (ed. Tobias Widmaier, Knut Holtsträter) Waxmann, https://www.waxmann.com/waxmann-buecher/?tx_p2waxmann_pi2%5bbuchnr%5d=4281&L=1&tx_p2waxmann_pi2%5baction%5d=show
2020: “‘Lied’; Terminology and Usage in the Nineteenth-Century; Evolution and Incongruence Within the German-Speaking World.” In D’un Lied à L’autre? Dynamiques Génériques et Interculturelles Du Lied, (ed. Laurine Quetin Marie-Thérèse Mourey) 21:227–38. Revue Musicorum. Paris: EA Reigenn; Sorbonne Université/Lettres.
2018: “Ernestine de Bauduin”: Lexikonartikel in MUGI (Musik und Gender im Internet). mugi.hfmt-hamburg.de/Artikel/Ernestine_de_Bauduin.html
2016: Dissertation: Die Entwicklung des Kunstliedes im Wiener Konzertleben zwischen 1848 und 1897; Vergessene Komponisten und Komponistinnen (mdw).
2016: “Fighting body shaming through burlesque: the NYC Hot Box Girls’ expansion to Vienna.” In Musicology Now for the American Musicological Society. https://musicologynow.org/fighting-body-shaming-through-burlesque-the-nyc-hot-box-girls-expansion-to-vienna/
Ongoing: 126 opera and concert critiques for the London-based publication Bachtrack,and archival production reviews for MET On Demand” of the following Metropolitan Opera productions: Otello (2012), Anna Bolena (2011), La Fille du Régiment (2008), Orfeo ed Euridice (2009), Il Barbiere di Siviglia (2007). https://bachtrack.com/22/270/list-published/11169
2006: Master’s thesis, Music and Arts University of the City of Vienna (MUK): A Musical Interpretation of Icelandic Lyric Poetry Set to Music within the Framework of Otto Steinbauer’s “Klangreihen” Compositional Method
Artistic Publications — Multimedia / Acoustic
2021: (in preparation) “Dichterliebe” — critical dual language German/English CD with tenor Eric Stoklossa (funded by Texas Tech University)
2021: (in preparation) with Carola Bebermeier “On “Vermittlung” as Artistic Research – Transatlantic Exchange and Salon Reimaginings” in the Research Catalogue.
2021: 7-episode interview-based podcast series “Too Many Frocks,”produced by Bill Lloyd, sponsored by the Institute of Musicology and Performance Studies at the University of Music and Performing Arts Vienna (mdw). https://open.spotify.com/show/1Xx8STEbNePcqFuUtCXmLN
2020: 70th NATS Conference Artist’s Recital, recorded in the Vienna Konzerthaus, with soprano Rebecca Nelsen
2020: Clara Rogers’ Boston Salon; An Immersive Re-imagining, with Carola Bebermeier https://www.youtube.com/watch?v=xAk9pZtB4a4
2019: Hörbuch (Book & CD) “Der Affe der nach Ärger suchte” (How Monkey Looked for Trouble), based on a folktale from Trinidad, with original music and illustrations. German, English and French versions Der Affe der nach Ärger suchte – Talespin
2016: CD: Jugend Ohne Gott. Im Namen der Liebe song cycle von Árpád Krämer.
2015: Mosaïque concert series trailer: https://vimeo.com/mosaiquewien
2014: Waldgespräch. Fin de siècle Lieder, with baritone Günter Haumer
2012: Thirteen. Songs of Samuel Barber and Dominick Argento, with tenor Jason Bridges#
2010: Robert Fuchs: Werke für Violoncello und Klavier double CD of complete compositions for cello and piano on historical instrument (Steinway, 1904), with cellist Ronald Fuchs
2008: Johannes Brahms: Sonaten für Violoncello und Klavier. Sechs Liedtranskriptionen. With cellist Ronald Fuchs, (first recording on the historical Brahms piano (Streicher, 1880)
2007: Live recordings from Wigmore Hall, with soprano Jennifer O’Loughlin https://soundcloud.com/chanda-vanderhart/sets/jennifer-oloughlin
Conference Presentations & Workshops (selection)
September 2022 (in planning) XVII. Internationalen Kongresses der Gesellschaft für Musikforschung „Musikwissenschaft nach Beethoven,” Bonn“An Evening in 309 Beacon Street; Clara Rogers’ Salon Re-Imagined in Dialogue between Artistic Research and Historical Musicology”
October 2022 (in planning) Universiteit Leiden universiteitleiden.nl Workshop on “Praktische Strategien zur Bekämpfung von Marginalisierung in der Kunst” coordinated by Monika Baár
June 2021 Athens Education for Education and Research, 12th Annual International Conference on Visual and Performing Arts, “Challenging High/Low Axiologies Through Multidisciplinary Performance; A Circus Orchestra in City Recital Hall, Sydney”
April 2021 SAR – 12th International Conference on Artistic Research “Inclusive approaches, shared embodied knowledge, and transgressive experimentation — The Freestyle Orchestra’s journey to Sydney with Ross Edwards’ Maninyas violin concerto”
December 2020 Hochschule für Musik und Tanz Köln Ring-Labor Künstlerische Forschung “Über das Finden und Vermitteln von außermusikalischer Relevanz in Veranstaltungen; Agency und und der/die ausführende Musiker/in”
December 2020 Classical:Next Encore Presentation “Storytelling: Irresistible Concerts and How to Design Them,” panel coordination and presentation (with Kate Wyatt, Bryan Benner and Arlon Luijten)
November 2020 Musicology and Its Future in Times of Crises; University of Zagreb “Two [Ivory] Towers? Performers, Modern Musicological Thought and Relevance in Higher Education Settings”
October 2020 University of North Texas / CollabFest “Too Many Frocks? Gender in 21st Century Art Song Performance in the USA, UK and Continental Europe” with Jean Barr, Roger Vignoles, Melanie Unseld
March 2019 D’un Lied à l’autre, Dynamiques génériques et interculturelles du Lied, Colloque international, Sorbonne, REIGENN, IReMus “Lied, terminology and usage in the 19th century. Remarks on its evolving and incongruent nature within the German-speaking world”; “Introduction to Guerilla Gender Musicology”
June 2019 Compositrices et interprètes en France et en Allemagne: approches analytiques, historiques et sociologiques (IReMus, CNRS – Université Paris-Sorbonne, CIERA, GEMM) “Analysewiderständig? Lied, Salon und Kanonisierungsprozesse am Beispiel von Ernestine de Bauduin”#
May 2019 Mikiel Anton Vassalli College, Malta mikielantonvassallicollege.gov.mt Continuing education workshop on communication techniques between singers, educators and accompanists
March 2018 Institute for European Studies (IES) Vienna Green Zone lecture series iesabroad.org “Vocal intersections between opera and concert life in 19th century Europe
July-August 2014 American Institute of Musical Studies (AIMS) Graz aimsgraz.com Lecture-Recitals: “Clara Schumann: Life and Work“, “Spanish Influence in German Lieder in the 19th Century“, “Mental Illness, Schumann and Wolf”
University Courses Taught
University of Music and Performing Arts Vienna (MDW) www.mdw.ac.at: “The Murder Ballad — Gender, Voice and Agency from Schubert to Dolly Parton”; “Ausgewählte Kapitel der Musikgeschichte: Lied in Wien im 19. Jahrhundert“; “Lied- und Oratorium Geschichte 1, II”
Kunstuniversität Graz (KUG) https://www.kug.ac.at/: Proseminar “Women and the Murder Ballad; Gender, Aesthetics, Voice and Agency from Franz Schubert to Dolly Parton”
Vienna University of Pedagogy (Pädagogische Hochschule Wien) www.phwien.ac.at: “Musik in der Praxis I“
Performing Center Austria www.performingcenter.at “American Musical History”; “Ear Training and Sight Singing I and II“
University of Applied Sciences “Technikum Wien” www.technikum-wien.at: “Technical English”, “Ethical Concerns for Biomedical Engineers”, “Creative English”, “Harvard Negotiation Techniques”, “Effective Presentation”, “Technical Writing in English”, “Business English”
American Institute of Musical Studies (AIMS) Graz www.aimsgraz.com: held vocal studio over 8 weeks with 12 singers and 2 pianists and organized/performed in 2 curated recitals — repertoire focus Gustav and Alma Mahler, Felix and Fanny Mendelssohn, Robert and Clara Schumann